Welcome to the fantastic world of classical guitar. In this site, you will find classical guitar pieces, in midi format, for one and more guitars: actually 5641 MIDI files from 96 composers. Information on how to create midi files and a tutorial on the tablature notation system is presented. Images of ancient guitars provided.
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One evening, a friend called, indignant about a canceled plan. Maya used a line from the site: "I'm sorry to miss it—I need an evening to recharge." The friend hesitated, then accepted. The conversation ended with an awkward-but-true peace. Maya realized boundaries didn't sever ties; they changed the pace at which ties were kept.
She laughed at herself and mouthed the word to the empty kitchen. The laugh felt thin. The page pulsed once and offered a next step: "Choose a softer boundary. Tell one person." Maya thought of her mother’s calls, of requests that arrived like small storms—help with errands, weekend visits, advice dressed as directives. Her throat tightened. She selected a message suggested by the page: "I can help Saturday morning for an hour." It contained no explanation, no apology.
Curiosity became a small companion. She explored parameters the site offered: work, family, digital life, romance. For each, it proposed micro-experiments—swap reactive answers for reflective ones, set a default duration for favors, set a 'no-phones' half hour after dinner. The experiments were framed as trials, temporary and reversible. Failure was treated as data: "What happened? What will you change next time?"
Composers are grouped in 6 pages: A-B;
C-F;
G-L;
M-O;
P-R; S-ZÂ .
J.-S.
Bach , A.
Barrios Mangore , N. Coste
, M. Giuliani , F.
Sor and F.
Tarrega are on their own page
Click here
to listen to 20 great MIDI from the site
Composers in alphabetical order
One evening, a friend called, indignant about a canceled plan. Maya used a line from the site: "I'm sorry to miss it—I need an evening to recharge." The friend hesitated, then accepted. The conversation ended with an awkward-but-true peace. Maya realized boundaries didn't sever ties; they changed the pace at which ties were kept.
She laughed at herself and mouthed the word to the empty kitchen. The laugh felt thin. The page pulsed once and offered a next step: "Choose a softer boundary. Tell one person." Maya thought of her mother’s calls, of requests that arrived like small storms—help with errands, weekend visits, advice dressed as directives. Her throat tightened. She selected a message suggested by the page: "I can help Saturday morning for an hour." It contained no explanation, no apology. herlimitcom free
Curiosity became a small companion. She explored parameters the site offered: work, family, digital life, romance. For each, it proposed micro-experiments—swap reactive answers for reflective ones, set a default duration for favors, set a 'no-phones' half hour after dinner. The experiments were framed as trials, temporary and reversible. Failure was treated as data: "What happened? What will you change next time?" One evening, a friend called, indignant about a
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Note to MIDI sequence contributors
Your submissions are welcomed.Â
Please send them by e-mail (end of text). Pieces
should bear the composer's name and be properly identified.(ex.: J.K. Mertz (1806-1856) Nocturne
Op.4 No.2.). The submissions
should bear information on the transcriber or arranger when available. The submitter's name
will appear beside the accepted submission.Â
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This site exists primarily to showcase pieces written for the classical
guitar. Established and recognized transcriptions and arrangements (e.g.,
Tarrega, Segovia,..) of pieces written by non-guitar composers will also be given
high priority. Â
New compositions for the classical guitar are also welcomed. New
compositions that meet quality guidelines will be added to the site. For
new contributors, it would be appreciated if you would also submit several
pieces by known composers in addition to your own compositions. This will
help to expand the repertoire of established works for the classical guitar in
addition to expanding the repertoire of new music.Â
Last update: March 8 2026
Copyright François Faucher 1998-2025